Photobooks 2011: And the winner is...

Christian Patterson, Redheaded Peckerwood

The constant stream of best books of 2011 lists that have appeared in the past couple of weeks got me wondering whether there are any books that are getting all the plaudits. I have pulled together 52 lists in total (the final update to this post was made on 29 December), including my own, (the sources are listed at the bottom of the post). Some contrarians like Blake Andrews included books that weren't published this year, but for this statistical exercise I have only included books that were published in 2011. After compiling the results (I gave 1 'vote' to any book that was on any of these lists) one book has risen to the top of the pile with 19 votes. And the winner is...

1st Place (19 votes) - Redheaded Peckerwood, Christian Patterson (Mack)

2nd Place (14 votes) - A Criminal Investigation, Yukichi Watabe (Xavier Barral/Le Bal) - Illuminance, Rinko Kawauchi (Aperture)

3rd Place (10 votes) - Paloma al aire, Ricardo Cases (Photovision)

4th Place (9 votes) - Gomorrah Girl, Valerio Spada (Self-published)

5th Place (8 votes) - A, Gregory Halpern (J&L Books)

6th Place (7 votes) - Series, Enrique Metinides (Kominek Books)

7th Place (6 votes) - Photographic Memory: The Album in the Age of Photography, Verna Posever Curtis (Aperture) - A New Map of Italy, Guido Guidi (Loosestrife Editions) - The Suffering of Light, Alex Webb (Aperture)

8th Place (5 votes) - The Place we Live, Robert Adams (Yale University Press) - Salt & Truth, Shelby Lee Adams (Candela Books) - In the Shadow of Things, Léonie Hampton (Contrasto) - The Brothers, Elin Høyland (Dewi Lewis) - Permanent Error, Pieter Hugo (Prestel) - Rwanda 2004: Vestiges of a Genocide, Pieter Hugo (Oodee) - Magnum Contact Sheets, Kristen Lubben (Thames & Hudson) - Animals that Saw Me, Ed Panar (The Ice Plant) - Redwood Saw, Richard Rothman (Nazraeli Press) - The New York Times Magazine Photographs, Kathy Ryan (ed.) (Aperture) - First Pictures, Joel Sternfeld (Steidl) - Is this Place Great or What, Brian Ulrich (Aperture) - Visitor, Ofer Wolberger (Self-published)

9th Place (4 votes) - C.E.N.S.U.R.A, Julián Barón (Editorial RM) - Dirk Braeckman (Roma Publications) - People in Trouble, Laughing, Pushing Each Other to the Ground, Adam Broomberg & Oliver Chanarin (Mack) - Fragile, Raphaël Dallaporta (Editions GwinZegal) - The Unseen Eye, W. M. Hunt (Aperture) - Pontiac, Gerry Johansson (Mack) - Seacoal, Chris Killip (Steidl) - Koudelka: Gypsies, Josef Koudelka (Aperture) - Lang Zal Ze Levan, Anouk Kruithof (Self-published) - Iraq / Perspectives, Ben Lowy (Duke University Press) - History's Shadow, David Maisel (Nazraeli Press) - pretty girls wander, Raymond Meeks - Believing is Seeing, Errol Morris (Penguin Press) - Mom & Dad, Terry Richardson (Mörel Books) - The Heath, Andy Sewell (Self-published)

10th place (3 votes) - La Creciente, Alejandro Chaskielberg (Nazraeli Press) - Abendsonne, Misha de Ridder (Schaden.com) - Chromes, William Eggleston (Steidl) - Films, Paul Graham (Mack) - Mexico Roma, Graciela Iturbide (RM Editorial) - Sunday, Paul Kooiker (van Zoetendaal) - On Thin Ice, In a Blizzard, Paula McCartney (Self-published) - You and I, Ryan McGinley (Twin Palms) - One to Nothing, Irina Rozovsky (Kehrer) - 83 Days of Darkness, Niels Stomps (Kominek Books) - A Living Man Declared Dead and Other Chapters, Taryn Simon (Steidl) - The Bridge at Hoover Dam, James Stillings (Nazraeli Press) - Les Amies de Place Blanche, Christer Strömholm (Dewi Lewis) - Abstract Pictures, Wolfgang Tillmans (Hatje Cantz) - Photographs, Penelope Umbrico (Aperture) - Interrogations, Donald Weber (Schilt) - Conductors of the Moving World, Brad Zellar (Little Brown Mushroom)

11th place (2 votes) - Half Life, Michael Ackerman (Dewi Lewis) - Unmarked Sites, Jessica Auer (Les Territoires) - Candlestick Point, Lewis Baltz (Steidl) - A Guide to Trees for Governors and Gardeners, Yto Barrada (Deutsche Guggenheim) - One Day: Ten Photographers, Harvey Benge (Kehrer) - Tibet: Culture on the Edge, Phil Borges (Rizzoli) - War Primer 2, Adam Broomberg & Oliver Chanarin (Mack) - Eden is a Magic World, Miguel Calderón (Little Big Man) - The King of Photography, Tiane Doan Na Champassak (Self-published) - Double Life, Kelli Connell (Decode Books) - A Falling Horizon, Heidi de Gier (Fw:) - Subway, Bruce Davidson (Aperture) - The Latin American Photobook, Horacio Fernández (Aperture) - The Vanities, Larry Fink (Schirmer/Mosel) - In the Picture: Self-Portraits 1958-2011, Lee Friedlander (Yale University Press) - Color Correction, Ernst Haas (Steidl) - Astronomical, Mishka Henner (Self-published) - No Man's Land, Mishka Henner (Self-published) - Afterwards, Nathalie Herschdorfer (ed.) (Thames & Hudson) - Celebrity, Kenji Hirasawa (Bemojake) - Playground, Jeroen Hofman (Self-published) - Safety First, Rob Hornstra (The Sochi Project) - Sochi Singers, Rob Hornstra (The Sochi Project) - In Almost Every Picture 9, Erik Kessels (Kesselskramer) - A Head with Wings, Anouk Kruithof (Little Brown Mushroom) - The Sea, Mark Laita (Abrams) - Pilgrimage, Annie Liebovitz (Random House) - Tooth for an Eye, Deborah Luster (Twin Palms) - God Forgotten Face, Robin Maddock (Trolley) - Street Photographer, Vivian Maier (Powerhouse) - Carnal Knowledge, Malerie Marder (Violette Editions) - 7 Rooms, Rafal Milach (Kehrer) - Mark Morrisroe, Mark Morrisroe (JRP Ringier) - Burke + Norfolk: Photographs from the War in Afghanistan by John Burke and Simon Norfolk, Simon Norfolk (Dewi Lewis) - Hard Ground, Michael O'Brien (University of Texas Press) - As Long as it Photographs, It Must be a Camera, Taiyo Onorato & Nico Krebs (Self-published) - Core Curriculum: Writings on Photography, Tod Papageorge (Aperture) - Swiss Photobooks from 1927 to the Present, Peter Pfrunder (ed.) (Prestel) - Photographs 2001-2009, Ken Rosenthal (Self-published) - Oculus, Ken Schles (Noorderlicht/Aurora Borealis) - Hurricane Story, Jennifer Shaw (Broken Levee Books) - Subscription Series 3, Mark Steinmetz (TBW Books) - Summertime, Mark Steinmetz (Nazraeli Press) - Dessau, Bill Sullivan (Kaugummi Books) - Nomad, Jeroen Toirkens (Lannoo) - Self Publish Be Naughty, Various (Self Publish Be Happy) - Chinese Sentiment, Shen Wei (Charles Lane Press) - Waikiki, Henry Wessel (Steidl) - The Lost Photographs of Captain Scott, David M. Wilson (Little, Brown & Co.)

So there it is. The meta 'best of' list. A few points worth noting. I have only included books that got more than 1 vote. There were 313 books nominated in the 52 lists that I used to compile this meta-list. It's fascinating to see that there is so little consensus on the 'best' books of the year and that there is such a broad playing field. There are books on here that were printed in editions of several thousand copies and books that were printed in editions of less than 100. Some artists even managed to get nominated for several books produced in the same year. I'd like to leave you with a final recommendation: remember, these rankings are totally subjective, meaningless and even nonsensical. It's hard to resist looking at these lists (although if I see another list at this stage, I will probably have to take my own life), but remember that there are hundreds of other books that are just as good if not better than these.

Sources: Brainpickings, The 11 best photography books of 2011; Sean O'Hagan (The Guardian), Photography books of the year 2011; American Photo, The best photobooks of 2011; Alec Soth, Top 20 photobooks of 2011; Rémi Coignet & Maria-Karina Bojikian, Livres de photographie: notre sélection 2011; Le Monde, Ouvrages de fête à savourer (Photographie); Jörg Colberg, My favourite photobooks this year; Tom Claxton, 2011 photobook highlights; Corey Presha, Favorite Books of 2011; Bridget Coaker, Photography Books of the Year; Yannick Bouillis, Favorite photobooks; Bart Peters, 10 favourite photobooks of 2011; Claire de Rouen, Xmas Top Ten; BJP, The best photobooks of 2011; Blake Andrews, Photography Books; Conor Donlon, Favourite Books of 2011; Sebastian Hau, "books that engaged me the most"; Larissa Leclair, The Best Books of 2011 (self and indie published); Willem Van Zoetendaal, Favorite Books of 2011; Rob Hornstra, Top Photo Books 2011; Marcel Du, Best of 2011 photobooks; Photobookstore, Our favourite photobooks of 2011; Elizabeth Avedon and friends, 2011 best photography books; NY Times Photo Department, Our Top 10 Photo Books of 2011; Time, Best of 2011: The Photobooks We Loved; Photo-eye (26 contributors), The Best Books of 2011; Laurence Vecten, 7 livres photographiques du moment, à feuilleter au coin du feu; Me, Another best books of 2011 list.

Before I sign off this post, it is worth remembering that there is also another way to cut this 'best photobook' cake and that is sales. This is how the list ends up looking based on sales (according to this article by PDN):

1. Simply Beautiful Photographs (National Geographic) 2. The Great LIFE Photographers (Little, Brown & Co.) 3. The Royal Wedding of Prince William and Kate Middleton (LIFE) 4. One Nation: America Remembers September 11, 2001, 10 Years Later (Little, Brown & Co.) 5.Portraits of Camelot: A Thousand Days in the Kennedy White House (Abrams) 6. In Focus: National Geographic Greatest Portraits (National Geographic) 7. The President's Photographer: Fifty Years Inside the Oval Office (National Geographic) 8. Decade (Phaidon) 9. Edward S. Curtis: Visions of the First Americans (Chartwell) 10. Wonders of LIFE: A Fantastic Voyage Through Nature (LIFE)

Naoya Hatakeyama: a book and an exhibition

Installation view, Natural Stories

My most recent trip to Japan in October happily coincided with Naoya Hatakeyama's first retrospective at the Tokyo Metropolitan Museum of Photography. Regular readers will know that I am a big fan of his work – and there is quite a lot of it – so I was curious to see how this exhibition, entitled Natural Stories, would be put together. The exhibition has now closed in Tokyo but opens at the Huis Marseille in Amsterdam today until the end of February 2012. To coincide with Natural Stories, Hatakeyama also released his latest book, Ciel Tombé, which I included on my best books of 2011 list, so I thought I would discuss them together here.

I will admit to being a little surprised at the selection of work in Natural Stories. Although there are ten different bodies of work in the exhibition, none of Hatakeyama's work on Tokyo (Underground, River, Maquettes/Light...) was included. However, in the curator's text on the exhibition she is quick to explain that this was a conscious decision given that Hatakeyama already had several solo exhibitions in Japan including a 2007 show at the Museum of Modern Art in Kamakura & Hayama which took the city as its theme. With that in mind the exhibition's focus on the natural landscape makes sense.

Lime Hills, 1990

The title Natural Stories is an intriguing one. I think it works best in french (Histoires naturelles), which I believe is the language in which the title was originally given. In french 'histoire' can mean both history or a story. The title evokes Natural History, stories about nature, and perhaps even a history of nature itself. The essay by the French writer Philippe Forest in the exhibition catalogue explores these notions in detail so I won't dwell on them any further, but the title evokes the very different considerations that inform Hatakeyama's photographic approach to the landscape. His landscapes are never 'just' landscapes: they are always the reflection or the echo of something else. For instance, although it depicts the limestone mines, the series Lime Hills deals with the transformation of the natural landscape to feed the insatiable growth of the city of Tokyo.

Ciel Tombé (Super Labo, 2011)

Although it is almost never directly present in this exhibition, the city is never very far away. In the series Ciel Tombé Hatakeyama explored the Parisian catacombs and their underground 'fallen skies' (ciel tombé). This series is the subject of Hatakeyama's latest book, Ciel Tombé (Super Labo, 2011). For this book Hatakeyama has deviated from the standard photobook formula and asked the French author Sylvie Germain to contribute a short story based on his photographs . I won't go into detail about this book as this post is already overly long, but I will say this: I first saw the work from Ciel Tombé a few years ago at a gallery in Tokyo. Several months later I had the opportunity to read Sylvie Germain's deliciously strange and unsettling text. I had not seen any of the images since that first viewing, but as I read through the story the images appeared in my mind as if I had only just seen them. For the moment the book only exists in a deluxe edition of 200 which includes a print, a book of Hatakeyama's photographs and another book containing Sylvie Germain's text in French, English and Japanese, but there is word of a second edition in the making.

Ciel Tombé (Super Labo, 2011)

Returning to Natural Stories, for me the final two rooms of the exhibition were the highlight. The first of these rooms (pictured at the top of this post) contained Hatakeyama's most recent work on his hometown of Rikuzentakata in Iwate prefecture, one of the many towns destroyed in the tsunami of 11 March 2011. Although very little time has passed, Hatakeyama decided to include a series of photographs in the exhibition that he took in the wake of the disaster. Many images have been produced of the aftermath of the tsunami, but most of these fail to connect beyond conveying the scale of the physical destruction. What stands out about Hatakeyama's images is how matter of fact they feel. He has photographed these landscapes with the same unflinching precision, intelligence and quietness tinged with nostalgia as any other landscape. His photographs strike me as the most natural possible response to the disaster, but they must have been incredibly difficult to make given the deeply personal and tragic nature of the subject. These images are presented on three adjacent walls in the space, while on the fourth a slideshow of images taken between 2008-2010 in his native region is presented in the guise of a framed photograph.

The final room contains the companion series Blast and A Bird. Both series have been exhibited and published in the past, but for this exhibition Hatakeyama also chose to present Blast as a stop-motion video projected on a huge wall in the space. These photographs have a potent mix of beauty and brutal force which is heightened even further when animated in this way. It is an overwhelming end to the exhibition and one which resonates long after you leave the space.

Installation view, Natural Stories

Another best books of 2011 list...

I have given up, caved in, admitted defeat. Although the world does not need it, the temptation was just too great, so I have gone ahead and compiled a selection of my favourite books of the year. Instead of giving you a top 10 I decided to humbly borrow the format of the Oscars and select the best books by category (as with the Oscars, my categories are suitably ridiculous). So without further ado, I bring you the the official eyecurious Best Books of 2011.

Best really good book

Enrique Metinides, Series (Kominek)

 

Most unlikely best book of the year

Yukichi Watabe, A Criminal Investigation (Xavier Barral)

 

Best self-published book that is too big for most bookshelves

Taiyo Onorato & Nico Krebs, As long as it photographs / It must be a camera (Self-published)

 

Best spiral-bound book

Ricardo Cases, Paloma al Aire (Photovision)

 

Best sold out collectible book that gets damaged very easily

Valerio Spada, Gomorrah Girl (Cross Editions)

 

Best super-deluxe VIP book with all the trimmings

Naoya Hatakeyama, Ciel Tombé (Super Labo)

 

Best really weird book

Paul Kooiker, Sunday (William van Zoetendaal)

 

Best book cover

Takashi Homma, M2 (Gallery 360°)

 

Best book that I bought in 2011 but wasn't actually published this year

Tadanori Yokoo, Tokyo Y-junctions (Kokushokankokai)

 

Best book of outtakes

Rob Hornstra, Safety First (Self-published)

 

Best book of pictures made using an archaic photographic process

Christian Marclay, Cyanotypes (JRP Ringier)

 

Best calendar for a good cause

Yuka Amano, Seiji Kumagai, Aya Muto & Hiroshi Nomura, One Year for Japan (Lozen Up)

I will leave you with a final word of advice: the number of best books of 2011 lists that have already popped up is proof that you should NEVER publish a book in December. You'll be too late for all the best books lists and will be technically ineligible for the best books lists of the following year. You have been warned.