Review: Sergei Mikhailovich Prokudin-Gorskii, Nostalgia

I've always found it fascinating to see early examples of colour photography, because they inevitably reveal a world that isn't so monochrome as all those black-and-white photographs might make you think. I've written about an archive of colour photographs of Depression-era America here before and now I've come across another even earlier archive (which also happens to be held by the Library of Congress) that has recently been published as a book. Nostalgia is a collection of 283 photographs from the early twentieth century "Russian Empire of Czar Nicholas II", by Sergei Mikhailovich Prokudin-Gorskii. A pioneer of colour photography, he convinced the Czar (a fairly impressive sponsor) to back his project to travel across Russia to assemble a photographic portrait of the Empire, which he did from 1909 to 1915. The archive was acquired by the Library of Congress in 1948 but has only just been restored. Nostalgia is not a groundbreaking publication, but it's one that really deserved to be made, given how few people have been able to see these images in their original form.

Triglolastochka, or Sea Rooster, in Batum, between 1905 and 1915

Naturally this isn't exactly a hard-hitting account of the reality of life in those times: while they are not propaganda as such, these photographs are designed to show the Empire in its best light. With close to 300 photographs the book covers a lot of ground (but then so did the Russian Empire) and it's clear that Prokudin-Gorskii was determined to show how diverse this vast region was. Given the technical constraints of this photographic process, there were pretty severe limitations on the kind of pictures that could be made and some of these landscapes and portraits do all start to blend together. To contemporary eyes they could seem 'boring', a series of visual platitudes on the diversity of the people and the landscape.

Cornflowers in a rye field / Haying at the Leushinskii Monastery, 1909

While the compositions are often interesting, it's the intensity of the colour that is so arresting (helped by the fact that the reproductions are as good as they should be). I still had the same sense of shock at seeing this era in full colour rather than in black-and-white: on a basic level it makes these images less muted by historical distance, they feel almost immediate and accessible. Interestingly the publishers chose not to correct the damage to the glass plates or the oversaturated colours. At a time when most photographs being shared online are being processed through faux vintage digital filters to give them the illusion of age, Nostalgia is a shot in the arm of the real thing (Instagrammers eat your heart out).

In the Borodino Museum at Borodino Battlefield, 1911

This book is not only a historical document on the Russian Empire, but also on photography itself. Prokudin-Gorskii was a genuine trailblazer in the colour photography department and it's impossible for us today to comprehend how powerful these images must have felt for the few people that did see them at the time. Leafing through the book, I found myself thinking about how different the meaning of photography is today and how photography as "straight" and descriptive as this is now almost entirely absent from the "photo-world".

Sergei Mikhailovich Prokudin-Gorskii, Nostalgia (Gestalten, 320 pages, 283 colour plates, hardcover)

Rating: Recommended

Romka magazine: a collective photo-album

I wrote about Romka magazine over on the eyecurious Tumblr some time ago, but I will confess to never having picked up a paper copy before, so the latest issue (#7) is the first I have been able to flick through. The conceit is a simple one, "favorite pictures and the stories that lie behind them" by pros and amateurs alike. No book reviews, no interviews, no ads... no excess fat. The result is a kind of crowd-sourced collective photo-album, which makes it sound terrible when it is really quite good. Romka simply does what it says on the tin: it presents a series of single images by photographers (that might be Roger Ballen or it might be Sachi "the builder who lives in a pink house in New Orleans"), each accompanied by a short text explaining what that image means to them. It is a very simple recipe, and like many simple recipes it is hard to get right, but when it works it is rather delicious. Although it follows a fairly strict formula it doesn't feel formulaic because of its democratic, all-inclusive approach to images and because it helps to reveal some of the myriad reasons why photographs matter so much to people. This simple formula also makes it refreshingly different to most other photography magazines out there.

I have done a lot of wondering (to myself and sometimes out loud) about whether the photo album has become irrelevant today given the changes in the way that we make and look at photographs... Romka makes me think that there is life in it yet.

Romka magazine, Issue #7, November 2012, edition of 1,500.

Photographers

Loving this short film montage by Mishka Henner and David Oates, collectively known as BlackLab. By extracting and resequencing hundreds of movie scenes featuring photographers, Photographers explores the tropes of the photographer on screen from voyeur, to fashion photographer, investigator or war photographer. Beyond the fun of trying to figure out what films were used for the montage, this is also a fascinating deconstruction of the mythology of the photographer.